Tintype (Ferrotype)
Direct-positive photographs on lacquered iron — cheap, durable, and iconic.
Antique CDV Tintype Portrait Woman Polka Dot Bow Oval Mat Mount
Antique 2.5x4in Tintype Standing Woman Wearing Dark Dress White Collar Trim
Antique 2.5x4in Tintype Photo Elderly Woman Portrait Scarf Paper Sleeve
Antique 2.5x4in Tintype Young Woman Tinted Pink Bow Tie Paper Mat Portrait
Antique 2.5x4in Tintype Victorian Woman Fancy Hat
Antique 2.5x4in Tintype Man Full Beard Bowtie Oval Paper Sleeve
Antique 2.5x4in Tintype Young Woman Portrait Paper Sleeve Frame Embossed 2c
Antique 2.5x4in Tintype Seated Woman Dark Dress Earrings Choker Oval Mount 1870
Antique 2.5x4in Tintype Young Girl Unhappy Expression Bows Polka Dot Dress
Antique 2.5x4in Tintype Young Boy Suit Curled Hair W H Sheigley
Antique 2.5x4in Tintype Portrait Young Woman Bow Hair Paper Sleeve
Antique 2.5x4in Tintype Young Girl Child Plaid Dress Embossed Paper Frame
Antique 2.5x4in Tintype Woman Plaid Ribbon Bow Striped Dress Paper Sleeve
Antique 2.5x4in Tintype Woman Dark Dress Brooch Paper Mat Frame
Antique 2.5x4in Tintype Young Woman Center Part Hairstyle Necklace Fancy Paper
Antique 2.5x4in Tintype Studio Portrait Young Man Bow Tie Suit
Antique 2.5x4in Tintype Portrait Woman Center Part Hair Brooch Pin
Antique 2.5x4in Tintype Portrait Young Man Dark Jacket Oval Embossed Paper
Antique 2.5x4in Tintype Young Girl Tiered Dress Bow Collar Belt Studio Portrait
Antique 2.5x4in Tintype Portrait Man Bearded Vest Striped Jacket Oval Mat
Antique 2.5x4in Tintype Baby Infant Sitting White Dress Embossed Oval Mount
Antique 2.5x4in Tintype Young Man Suit Jacket Vest Oval Card Mount Frame
Antique 2.5x4in Tintype Man Beard Vest Bowtie Gold Border Carte DE Visite Mount
Antique 2.5x4in Tintype Serious Young Woman Center Part Hair Embossed Paper
Tintypes (also called ferrotypes) are direct-positive photographs made on a thin sheet of lacquered iron. Cheap to produce and nearly indestructible, they were a fixture of itinerant photographers, fairgrounds, and seaside boardwalks from the American Civil War well into the 20th century — the longest production run of any 19th-century photo format.
HistoryOrigin & era
Invented in 1853 by Adolphe Alexandre Martin in Paris and patented in the United States by Hamilton Smith in 1856, the tintype shared its plate-size family with the daguerreotype and ambrotype — they were all made on the same camera plates. Unlike a CDV, every tintype is a unique direct-positive: there is no negative. Most are dark and slightly muddy because the image sits on a black-japanned iron base. They're heavier than they look — a magnet will stick to the back. Peak use was the 1860s–70s; street and boardwalk photographers were still making them into the 1930s.
IdentificationHow to spot a Tintype
- Magnetic — a small magnet sticks to the back. (Definitive test.)
- Slightly heavier than paper or glass photographs of the same size.
- Image often slightly dark, slate-grey, with a thin lacquer sheen.
- Edges sometimes show rust or japanning chips.
- Frequently found in paper sleeves, leather cases, or unmounted.
Tintype sizes
Tintypes share the standard American "plate" sizes with daguerreotypes and ambrotypes, plus a few formats unique to the cheaper itinerant trade.
| Format | Inches | Millimeters | Notes |
|---|---|---|---|
| Whole plate | 6½ × 8½ in | 165 × 216 mm | Rare; mostly studio formal portraits. |
| Half plate | 4¼ × 5½ in | 108 × 140 mm | Uncommon; usually couples or small groups. |
| Quarter plate | 3¼ × 4¼ in | 83 × 108 mm | Common for higher-end portraits. |
| Sixth plate | 2¾ × 3¼ in | 70 × 83 mm | By far the most common size — the default. |
| Ninth plate | 2 × 2½ in | 51 × 64 mm | Often in small leather cases or lockets. |
| Sixteenth plate | 1⅜ × 1⅝ in | 35 × 41 mm | Tiny — sometimes set into jewelry. |
| Bon-ton | 2⅜ × 3½ in | 60 × 89 mm | Late-19th-century portrait format. |
| Gem tintype | ⅞ × 1 in | 22 × 25 mm | Tiny portraits set into albums or jewelry. |
| Card-mounted (CDV-style) | 2½ × 4 in | 64 × 100 mm | Tintype trimmed and pasted onto a CDV mount. |
Common questions
What is a tintype?
A tintype (also called a ferrotype) is a direct-positive photograph made on a thin sheet of lacquered iron. Each tintype is a unique one-of-a-kind image — there is no negative. Invented by Adolphe Martin in 1853 and patented in the U.S. by Hamilton Smith in 1856, tintypes were the cheapest form of photography of their day and stayed in use at fairs and boardwalks into the 1930s.
How can I tell if a photo is a tintype?
The definitive test is a magnet — it will stick to the back of a tintype because the base is iron. Tintypes are also noticeably heavier than paper photographs of the same size, slightly dark and slate-grey in tone, and often show a thin lacquer sheen on the surface.
Are tintypes valuable?
Most common 19th-century tintypes are modest in value ($10–$40) because they were produced cheaply by the millions. Cased tintypes, occupational portraits, outdoor scenes, Civil War soldiers, identified subjects, and large-plate (half- and whole-plate) examples can fetch hundreds to thousands of dollars.
What plate sizes did tintypes come in?
Tintypes used the same plate-size family as daguerreotypes — whole, half, quarter, sixth, ninth, and sixteenth plate — plus a few unique formats. The sixth plate (about 2¾ × 3¼ inches) is by far the most common. Tiny ‘gem’ tintypes (about an inch square) and card-mounted tintypes in CDV-style mounts are also frequently encountered.
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