Carte de Visite
Albumen-print portraits on small card mounts — the calling-card photo of the Civil War era.
Antique CDV Circa C. G. Hill Young Boy Seated in Suit Ashland Mass.
Antique CDV Circa Hunter & CO Young Man Suit Armagh Monaghan Ireland
Antique CDV Circa Reimer Young Woman Patterned Dress Philadelphia PA
Antique CDV Circa Unmarked Elderly Woman in Dark Dress Unmarked
Antique CDV Circa Jas. Noble Young Man Portrait Deposit NY
Antique CDV Frank Kirby Young Woman Portrait Susquehanna Depot PA
Antique CDV Circa S. Bullock Young Woman Binghamton NY
Antique CDV Circa Unmarked Young Woman Full Length Dark Dress Unmarked
Antique CDV Hart Woman Long Ringlet Curls Watertown
Antique CDV Circa J. Bruce & CO Young Woman Braided Hair Toronto Canada
Antique CDV Circa Unmarked Woman Portrait Unmarked
Antique CDV Circa Cooley Bro's Young Man Bow Tie Cooperstown NY
Antique CDV Sam'l Kirk Bearded Man Seated Nottingham England
Antique CDV Unmarked Elderly Woman Braided Hair Bow Collar Unmarked
Antique CDV John Mccahon Young Man Bow Tie Utica Ohio
Antique CDV H. A. Hose Young Woman Lace Collar Cross Necklace Watertown NY
Antique CDV Circa W. A. Cooper Young Man Birmingham
Antique CDV Avery's Young America Picture Gallery Woman Portrait
Antique CDV C. O. Bickelmann Young Man Bow Tie Brooklyn NY
Antique CDV Unmarked Young Boy in Long Tunic Standing By Table Unmarked
Antique CDV Hardy Young Woman Portrait Boston
Antique CDV Circa C. Bickelmann Elderly Woman Lace Collar Brooklyn NY
Antique CDV Circa Fernando Pessaur Man Mustache Bow Tie New York NY
Antique CDV Baldwin's Art Studio Baby in White Dress Chicago
The carte de visite (CDV) is a small albumen photograph mounted on a stiff card the size of a calling card. First proposed by Louis Dodero in 1851 and patented in France by André Disdéri in 1854, CDVs became a worldwide craze after Disdéri photographed Emperor Napoleon III in 1859 — and stayed in production into the 1920s, collected and pasted into family albums by the millions.
HistoryOrigin & era
CDVs are produced from a glass-plate negative printed onto thin albumen paper, then trimmed and pasted to a card mount. Studios printed them by the dozen; the same sitter could order several copies of the same exposure to hand out. The format was largely displaced by the larger cabinet card from the 1880s onward, though CDV-sized prints continued to be made by smaller studios and itinerant photographers into the 1920s.
IdentificationHow to spot a CDV
- Card mount roughly 2½ × 4 inches.
- Albumen print — slight surface gloss, often warm brown or sepia tones.
- Studio imprint usually on the back (photographer + city).
- Square-cornered mounts are earlier (c. 1860s); rounded corners and decorated backs come in later.
- Tax revenue stamps on the back date it to 1864–1866 (U.S. Civil War tax).
CDV sizes
CDVs are largely standardized — the mount size barely varies — but the photo on the mount and the mount stock evolved over time.
| Format | Inches | Millimeters | Notes |
|---|---|---|---|
| Standard CDV mount | 2½ × 4 in | 64 × 100 mm | Universal mount size from the 1860s on. |
| Albumen print on mount | ≈ 2⅛ × 3½ in | ≈ 54 × 89 mm | Photo trimmed to fit the mount with a small border. |
| Victoria (mini-CDV) | 3¼ × 5 in | 83 × 127 mm | Brief 1870s variant — slightly larger than standard. |
Common questions
What is a CDV photograph?
A carte de visite (CDV) is a small albumen photograph mounted on a card the size of a calling card — roughly 2½ × 4 inches. The format was first proposed by Louis Dodero in 1851 and patented in France by André Disdéri in 1854. CDVs were the dominant portrait format from the early 1860s through the 1870s and continued to be made into the 1920s.
How can I tell if a CDV is from the Civil War era?
A revenue tax stamp on the back dates a CDV to between August 1864 and August 1866 — the only window when the U.S. taxed photographs. Square corners, plain mounts, and two-line photographer imprints also point to the 1860s; rounded corners and elaborate decorated backs are 1870s and later.
How much is an antique CDV worth?
Common 1870s studio portraits typically run $5–$25, while Civil War soldier images, identified subjects, occupational portraits, and outdoor scenes can run from $75 into the thousands. Condition, identification, and historical interest of the sitter drive value far more than age alone.
Are CDVs and cabinet cards the same thing?
No — they share the albumen process but cabinet cards are larger (about 4¼ × 6½ inches on heavier card stock) and came into vogue in the late 1860s. CDVs and cabinet cards coexisted from roughly 1866 into the 1890s before cabinets took over the standard portrait market.
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